ESSAYS AND REVIEWS
“Wendy Red Star 1×1: ‘My Home is Where My Tipi Sits (2011)’.” Brooklyn Rail (July 2023), 122-123.
“The Struggle for Survival in the Amazon.” Aperture (April 7, 2023).
“Time Signatures: Athena LaTocha Interviewed by Christopher Green.” BOMB (March 2022).
“Gabrielle L’Hirondelle Hill.” Artforum.com (June 2021).
“Sky Hopinka: Portraits of Place.” Art in America (March 2021): 71-73.
“Kimowan Metchewais: A Kind of Prayer.” Aperture 240 (Fall 2020): 64-75.
“Stretching the Canvas: Eight Decades of Native Painting.” Art in America (March 2020): 84-86.
“New Red Order: Promote Indigenous Futures.” frieze (February 6, 2020).
“Wendy Red Star.” Art in America (May 2019): 100.
“Nicholas Galanin: The Value of Sharpness: As it Falls.” The Brooklyn Rail (March 2019).
“Beyond Inclusion.” Art in America (February 2019): 72-77.
“In the Studio: Alan Michelson.” Art in America (December 2018): 84-91.
“Moon Dancers: Yup’ik Masks and the Surrealists.” Art in America (September 2018): 105-106.
“Jeffrey Gibson: Violent Histories, Brighter Horizons.” frieze 197 (September 2018): 196-197.
“Demian Dinéyazhi’ & R.I.S.E.: Radical Indigenous Survivance & Empowerment: A Nation is a Massacre.” The Brooklyn Rail (July-August 2018): 51-53.
“An Indigenous Artist’s Futuristic Vision of Traditional Transformation Masks.” Hyperallergic, April 9, 2018.
“Transformer: Native Art in Light and Sound.” The Brooklyn Rail (March 2018).
“Break Open This Container: The Art of Nicholas Galanin.” Art in America (January 2018): 66-71.
“Fluid Frames: The Hybrid Art of Michael Nicoll Yahgulanaas.” Art in America (November 2017).
“A Family of Artists Creates a Portrait of Inuk Life Across Three Generations.” Hyperallergic, September 13, 2017.
“As Dakota Access Pipeline Leaks, Native Artists Examine Contested Landscapes.” Hyperallergic, May 26, 2017.
“Against a Feathered Headdress: A Tale of Two Performance Festivals and Native American Voices.” Hyperallergic, January 17, 2017.
“A Step in the Right Direction for the Display of Native American Art.” Hyperallergic, November 22, 2016.
“When You Tell Someone You’re an Artist that Is Native, They Tell You Who You Should Be.” Hyperallergic, June 9, 2016.
“Unbound: Narrative Art of the Plains.” The Brooklyn Rail (May 2016).
“Disco Beads and Abstract Rawhides: Jeffrey Gibson’s Untraditional “Nativeness”.” Hyperallergic, November 23, 2015.
“WEAVING PAST INTO PRESENT: Experiments in Contemporary Native American Printmaking.” The Brooklyn Rail (November 2015).
“Meryl McMaster: Second Self.” The Brooklyn Rail, September 2015.
“2015 New Museum Triennial: Surround Audience.” The Brooklyn Rail (May 2015).
“The Plains Indians: Artists of Earth and Sky.” The Brooklyn Rail (April 2015).
“Sturtevant: Double Trouble.” The Brooklyn Rail (February 2015).
“She Depicting Her: A Woman’s Perspective. Eleanor Adam, Janet A. Cook, Liz Adams-Jones, Leah Lopez, and Orly Shiv.” The Brooklyn Rail (November 2014).
“For a Love of His People: The Photography of Horace Poolaw.” The Brooklyn Rail (October 2014).
CATALOGUE ESSAYS
“See the People.” In Unholding, 9-16. Exhibition Catalogue. New York: Artists Space, November 19, 2017-January 21, 2018.
“A House of Dust…Inhabited by American Indians.” In Alison Knowles: A House of Dust. Exhibition Publication. New York: James Gallery, The Graduate Center, City University of New York, September 7-October 29, 2016.
“The Expansion of the Inupiaq Graphic Art Tradition in the Late Nineteenth Century.” In Messages Across Time and Space: Inupiat Drawings From The 1890s at Columbia University. Digital Exhibition Catalogue. New York: Columbia University Center for the Study of Ethnicity and Race, September 22-November 20, 2015.
“Augustus Francis: Abstract Legacy.” In Augustus Francis: Natural Abstraction, 5-23. Exhibition Catalogue. Saint-Louis/Alsace: Fondation Fernet-Branca, 2013.
Select entries in Art Spaces Directory, edited by Eungie Joo and Ethan Swan, 37, 63, 142, 167-169, 171, 193, 333, 342, 375. New York: New Museum of Contemporary Art, 2012.