PEER REVIEWED ARTICLES
“Sonic Refusal: Indigenous Belongings without Soundtrack.” In “SOUND, COLONIALISM, AND POWER,” edited by Lauren Rosati. Special issue, MAST: The Journal of Media Art Study and Theory 2, no. 2 (November 2021).
“‘Rather Unusual Stuff’: Nathan Jackson’s Early Advent of a Tlingit Modern.” In “The Entangled Gaze: Indigenous and European Views of Each Other,” edited by Gerald McMaster, Julia Lum, and Kaitlin McCormick. Special issue,
“A Stage Set for Assimilation: The Model Indian School at the World’s Columbian Exposition.” Winterthur Portfolio 51, no. 2/3 (Summer/Autumn 2017): 95-133.
“Anishinaabe Artists, of the Great Lakes? The Problematic Exhibition of Place in Native American Art.” ARTMargins 4, no. 2 (June 2015): 80-96.BOOK CHAPTERS
“Kimowan Metchewais: A Kind of Prayer.” In Kimowan Metchewais: A Kind of Prayer, edited by Michael Famighetti, 259-266. New York: Aperture Foundation, 2023. 
“Retracing Colonial Choreographies in Contemporary Native American Art.” In Art and Migration: revisioning the borders of community, edited by Bénédicte Miyamoto and Marie-José Ruiz, 88-112. Manchester: Manchester University Press, 2021. 
“Morse Code for Creation: Jim Schoppert’s Painterly Language for a Post-Modern Revival.” In Unsettling Native Art Histories on the Northwest Coast, edited by Kathryn Bunn-Marcuse and Aldona Jonaitis, 54-75. Seattle: University of Washington Press, 2020.
“Towards a Digital Bauhaus: The Analog and the Discrete in the Glass Grids of Josef Albers.” In Dust & Data: Traces of the Bauhaus across 100 Years, edited by Ines Weizman, 112-129. Leipzig: Spector, 2019.EDITORIAL
ACADEMIC REVIEWS AND RESEARCH NOTES
“Reflexive Anthropology on Display: Franz Boas, George Hunt, and the Co-Production of Ethnographic Knowledge.” BC Studies, no. 201 (Spring 2019): 131-139.
“New Research on Art of the Northwest Coast.”Princeton Art Museum Quarterly (Fall 2017): 14-15.
“Engraved Walrus Tusk by Happy Jack (Angokwazhuk) (T0713).” Otsego Alumni Review vol. 5 (May 2015).
CURATORIAL
Speculations on the Infrared, Elizabeth Foundation for the Arts Project Space, January 30 – March 6, 2021.
Press:
Ian Bourland, “Countering the Fetishization of Indigenous Art,” frieze (March 2021).
Harry Burke, “Speculations on the Infrared,” art-agenda (e-flux) (March 2021)
Dessane Lopez Cassell and Cassie Packard, “Concise New York Art Guide for February 2021,” Hyperallergic (February 2021)